Cinematographer IATSE LOCAL 600
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Here's what Mark's peers are saying about his work . . .
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"Your material in particular was a delight to screen. I thought you have a remarkable eye for light. Your rushes certainly bear that out. The small desktop lamp seems to be the prime source. That's as perfect as a cameraman could produce. Thanks for the superb effort, all the more impressive for the abruptness with which you were forced to deliver it." Brice Weisman Producer/Director
"It makes flashy, fictional portrayals of the drug underworld, such as the movie 'Scarface' and the TV series 'Kingpin' look almost silly for trying so hard." LA
Times Review |
"I think the cinematographer is much more important in a documentary than a feature because you may only get one shot at something critical. You need someone who recognizes those moments instinctively." Sheila Nevins, HBO
"There ensues a spectacular car chase, the lengthiest and one of the best since the classic Barry Newman pic, 'Vanishing Point'." Variety
Reviews
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"Every day, your enthusiasm and creative contribution is an inspiration, particularly for me on those days when I feel the stress of the work before me. You never fail to express an energy that makes me remember why I love doing what I do." Arlene Sidaris, Producer
"If
you do nothing else tomorrow night, watch the History Channel's series
'Targeted', a suspenseful step-by-step account of the methods used to
track down the world's most dangerous terrorists… NY
Daily Post Review |
"Pat Morita's underplaying, aided by moody lighting by Mark Morris, lends panache to his scheming role…Tech credits are above average, giving this well-produced picture a look and scale well beyond its modest budget…For action fans excellent location work in atmospheric locales delivers the goods with motorcycle, speedboat and dune buggy chases"
Variety Reviews
…action-packed, suspenseful footage. Other highlights include well-staged stunts…" Variety
Reviews
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